Daily Events & Parties

Timetable


Partner Dances
Salsa
Rueda / Casino
Bachata
Merengue
Street Cha Cha
Cuban Salsa
On2 Salsa
Argentine Tango
Afro Cuban
Zouk
Rumba
Cha Cha
Samba
Paso Doble
Jive
Slow Waltz
Tango
Viennese Waltz
Foxtrot
Quickstep

Non-Partner Dances
Ballet
Isolation
Jazz
Hip Hop
Reggaeton
Broadway
Tap

Health
Yoga
Pilates

Ladies Only
Belly Dance
Ladies Shine Salsa
Ladies Styling Salsa
Sensual
Exotic Dance
Pole Dance

Tots, Kids & Teens
Salsa
Hip Hop
Ballet
Isolation

Dance Programmes
Pro Course
Semi-Pro
Kids


Other Programmes
Acting
Modeling
Singing
Voice
Salsa Music
Make Up
Spanish Language
Video Editing
Documentary Production

 

 

There is a Tango Party (Milonga) every Tuesday from 8:15pm to 11:15pm @ Xenbar

Videos of our tango teacher Starlinn Choo

 
Starlinn & Alex Da Silva of so you think you can dance


Starlinn performing Tango on TV


Starlinn dancing Tango in Argentina  

 

Argentine Tango is a social dance and a musical genre that originated in Argentina and moved to Uruguay and to the rest of the world later on. In the US, it is commonly confused with Ballroom Tango, though this is a later derivation.

Argentine Tango consists of a variety of styles that developed in different regions and eras, and in response to the crowding of the venue and even the fashions in clothing. Even though they all developed in Argentina and Uruguay, they were also exposed to influences reimported from Europe and North America. Consequently there is a good deal of confusion and overlap between the styles as they are now danced - and fusions continue to evolve.

Argentine Tango is danced in an embrace that can vary from very open, in which leader and follower connect at arms length, to very closed, in which the connection is chest-to-chest, or anywhere in between. Close embrace is often associated with the more traditional styles, while open embrace leaves room for many of the embellishments and figures that are associated with Tango Nuevo.
Tango is essentially walking with a partner and the music. Musicality (i.e. dancing appropriately to the emotion and speed of a tango) is an extremely important element of tangoing. A good dancer is one who makes you see the music. Also, dancers generally keep their feet close to the floor as they walk, the ankles and knees brushing as one leg passes the other.

Argentine Tango relies heavily on improvisation; although certain patterns of movement have been codified by instructors over the years as a device to instruct dancers, there is no "basic step." One of the only constants across all Argentine Tango styles, is that the follower will usually be led to alternate feet. Another is that the follower rarely has her weight on both feet at the same time. Argentine tango is a new orientation of couple dancing. As most dances have a rational-pattern which can be predicted by the follower, the ballast of previous perceptions about strict rules has to be thrown overboard and replaced by a real communication contact, creating a direct non-verbal dialogue. A tango is a living act in the moment as it happens.

Argentine Tango is danced counterclockwise around the outside of the dance floor (the "line of dance") and dance "traffic" often segregates into a number of "lanes"; cutting across the middle of the floor is frowned upon. In general, the middle of the floor is where you find either beginners who lack floor navigation skills or people who are performing "showy" figures or patterns that take up more dance floor space. It is acceptable to stop briefly in the line of dance to perform stationary figures, as long as the other dancers are not unduly impeded. The school of thought about this is, if there is open space in front of you, there are likely people waiting behind you. Dancers are expected to respect the other couples on the floor; colliding or even crowding another couple, or stepping on others' feet is to be avoided strenuously. It is considered rude; in addition to possible physical harm rendered, it can be disruptive to a couple's musicality.